Chapter XI: 23-24
Having seen thy immeasurable form
with many mouths and eyes, Oh mighty-armed, with many
arms, thighs and feet, with many stomachs and fearful
with many teeth - the worlds are terrified and so am I.
On seeing thee touching the sky, shining in many colors, with mouths wide open, with large fiery eyes, I am terrified at heart and find neither courage nor peace, Oh Vishnu.
CommentaryThe scene keeps constantly changing, even as the "appearance" of the universe changes constantly over the unchanging substratum. Good and evil, pleasantness and unpleasantness, beauty and ugliness - are all the attributes which the finite human mind projects on this ever-changing pattern. However, the difference between the obvious (the manifest) and the unobvious (the unmanifest infinity) is that the obvious is capable of being grasped by the senses or the mind whereas the unobvious is not. None-the-less, the finite helplessly tries to delimit the infinite and the standard way in which it does this is to limit the infinite to a form and stick the label of a name to it. Then, endeavoring to understand this, the finite once again drapes the infinite with the only apparel it has, hence creating the various attributes mentioned above. That is the inevitable fruit of the finite trying to grasp the infinite. The vicious circle is now complete. Having bestowed these attributes on the infinite, the finite trembles before it and weeps aloud.
Expressions like "Oh, it is terrible. It is a catastrophe. It is evil," and so on, issue constantly from the lips of the finite being as the direct result of his original sin of trying to grasp the infinite, instead of offering himself to it. It is best to surrender to the ocean, there to swim in bliss and peace.
These two verses should stop us from envying Arjuna's lot. Sages and yogis have had similar (though not identical) cosmic visions. We shall see towards the conclusion of this chapter the prerequisite for the cosmic vision, and the risk of testing our strength by trying to lift a hill.
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